The entry of J.C. Nichols into the land development scene was to have significant positive impact on the Kansas City area. Nichols’ vision was to develop entire neighborhoods and shopping centers designed with the automobile in mind, and thereby attract residents looking for a better place to live and work. But his shopping-district masterpiece, The Country Club Plaza, was seventeen years away.
At this time in 1905, Nichols was fresh from his first successful foray into the real estate development business having bought land on the high ground of 13th Street and Lathrop just before the flood of 1903 forced early Kansas Citians out of the river bottoms. It was an instant success and a neighborhood was built overnight. Without this initial fortunate outcome, Nichols’ development dreams may never have materialized.
Nichols married in 1905 and built a home at 5030 Walnut in the Bismark Place subdivision. Bismark Place is considered to be the first subdivision taken over by J.C. Nichols. He then sold the home sites to individuals. At that time there were no modern conveniences. It was a quarter-mile walk to the nearest spring for water and the roads were not paved. After that long first year, Bismark Place began to see improvements which included gas, water, sewers and electricity. This then, was the first modern enhancement to the land that would become Kirkwood.
Another visionary leader in Kansas City was William Rockhill Nelson, owner and editor of the Kansas City Star newspaper. Nelson was a proponent of coordinated city planning and residential development and he invited J.C. Nichols to meet with him. The two became fast friends, sharing the same ideals for the future of Kansas City. Nelson’s only daughter, Laura, also became friends with the Nichols family, and in 1910 she married Irwin Kirkwood. It is for Irwin that the Kirkwood Room in the Nelson-Atkins Museum of Art is named.
Eventually, Nichols’ land holdings stretched from north of the Plaza, south to Gregory Boulevard and east to west from Troost Avenue to Mission Road, with the area to the east a hog farm and the weedy Brush Creek flowing below the future Kirkwood.
In 1922, plans for the 55-acre, Country Club Plaza were proposed. Nichols saw what others could not see in his grand idea. He brought to the Plaza the ideas he had developed while traveling in Europe and the Southwest, as well as hand-picked works of art to adorn the Spanish-style courtyards and sidewalks. It was a time of accelerated growth, change was in the air and the people responded.
During the decade of the 1920s, the Jacob Loose farm (today’s Loose Park) became the Kansas City Country Club. With the Plaza as its centerpiece, the area came to be known as the country club district — designed to attract the wealthy. At that same time, the Kirkwood area grew into a neighborhood of one- and two-story bungalow, entry-level homes (the aforementioned Bismark Place). Nichols and other developers continued to develop around this neighborhood for years; however, the last of the Bismark lots had been sold and Nichols no longer owned any of the future Kirkwood site.
When William Rockhill Nelson died in 1915, he left precise instructions of what was to become of his estate in the event of the death of his wife and daughter. Nelson’s deep appreciation for beautiful architecture and painting influenced his decision to donate the family home, Oak Hill and the 20 acres it stood on, to the city. And further, that an art gallery would be built and filled with the most extraordinary art his estate money (approximately eleven million dollars) could buy. The property is now known as the Nelson-Atkins Museum of Art.
Laura Kirkwood passed in 1926 and Irwin carried out his father-in-law’s final wish. He arranged for the Nelson mansion to be razed after his death, and the site donated to the city for an art gallery. Irwin also had purchased the Kansas City Star and continued to run the paper in the spirit of William Rockhill Nelson. Irwin Kirkwood survived his wife by less than two years. He died in 1927.
J.C. Nichols died in 1950. After his father’s death, Miller Nichols became president of the J.C. Nichols Company. Miller was a worthy heir, preserving his father’s ideals and love of fine art, as well as sustaining inspired growth within the Plaza area. He soon began to reacquire the individual properties at Bismark Place that would eventually become Kirkwood. By the mid 1980s, the feasibility of developing the tract became apparent. All but one of the remaining parcels were then purchased for a total cost of $600,000 per acre and development plans were begun.
The proposed development was named Kirkwood Circle by Miller, who had the utmost respect for his father’s close friendship with Nelson family. We can only conclude that the property of Kirkwood was named after Irwin Kirkwood, who as the final heir to the Nelson estate, so keenly honored two great Kansas City men of vision with his own integrity and passion for the arts.
Looking north from atop The Circle condominiums at Kirkwood, it is sometimes hard to imagine that it all began at a weed-choked creek and a bump in the road.
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